Where is this...Things are looking up?
It was the last day of term, 1971. My hair was a meter long.
My tutor said, "You look like a damned Hottentot, and if you insist on
becoming a musician, you'll probably marry one and end up living in an
attic."
He was damn nearly right too. I did become a musician, and I
married one, but we ended up living in the back of a car. But things are
looking up. I now live between a slum and a disaster.
The slum is Klong, and the disaster is Sukit - a road which must surely hold more
treasure beneath it than ancient Rome, for it's been excavated more times
than most archaeological sites in history. The Soi that connects these
distinctive headlines is disheveled, safe, and a cauldron of pleasing
chaos.
The landscape around here changes every five minutes. Yet, some
buildings, like the 17-floor concrete carcass next to my block, are in a
permanent state of semi-abandonment. It took the locals two years to
figure out firstly, what the hell it was, and secondly, how you get into
the damn thing?
We asked the builders, who didn't know, who went to
find the architects, who weren't even there. Then the builders asked us if
we had any money . . .
Meanwhile, a Himalayan pile of refuse has risen
over the year as the workers threw all their rubble, offal, and flotsams
of snot over the wall. Around here, it's called recycling. We have
inherited this squalid disgrace, which, naturally, is completely ignored
by everyone except the rats - who think it's Las Vegas.
Wearing expensive shades, they lie on their backs, bloated with toxic waste, and
look slightly guilty - as though astonished by their own abundance. Even
the local dogs are embarrassed to be seen with them.
For the rest of
us, it seems impractical to be uncivilized here, for there is an
instinctive humanity in this hard-working neighborhood - a vital
philosophy of getting ahead and getting along. Relationships around here
are amicable, but have purpose, and you'll find yourself pulped into
fiction if you don't contribute one way or the other. Your money or your
manners - preferably both - and we'll all get along just fine.
There are apartments full of foreigners living a cocktail of realities. There
are thugs, drunks, losers, survivors, dreamers, talkers, and moneymakers.
There are keen teachers, busy business types, laid-back architects, and
those who appear to have spent the last seven nights outdoors in a
wheelbarrow.
There are also those who come and go, speak fluent
bratpack, and are so relaxed they can't even get out of their own
way.
Last night I sat talking to two guys in one of the local bars. We
were a confederacy of strangers. After drinking a goon of panther pee
each, and about to start on the second calabash of palm wine, I discovered
that one of them was making 250,000 Baht a month as a salesman for
computerized weaponry. The other guy, who had a face like a party balloon
with a slow leak, didn't make any money at all - but just managed to
maintain a ridiculous grin. Every time he wanted another drink, he simply
yelled, "Nurse!" and they came running. What a brilliant idea.
He had all these pills in his shirt pocket. I asked him what they were for. "They
make greyhounds incredibly happy for just a few moments," he explained. Oh.
Suddenly, late last night, one pathetic light bulb blinked on, then
off, high up in the dormant concrete shell next door. Then early this
morning, there was an excited shout from the street: "Hey! It's been
called a hotel!"
Wow! Sometimes truth can come at you from completely
the wrong direction. My dear, by lunch there'd even be talk of guests . . .
Right not, we're negotiating with Christo to come and wrap the refuse
dump in white silk - as a sculpture, as a monument, as . . . as . . . as
possibly another hotel. But the squatters are not interested. A spokesgerm
for the rats said they are demanding pink silk, fresh refuse, new Raybans,
and a little female rat action after dark. We're working on it.
By Roger Beaumont